DNA Spring 2006 Season Archive
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Ongoing Series
Works in Progress
One of our longest-running
and most rewarding series for artists and audiences alike, Works in Progress
provides choreographers with the opportunity to make a professional 10-minute presentation
of new work in any style and at any stage of development. Audiences are asked to take
notes (paper and pencil come with event programs) and to contribute to a freewheeling
commentary at evening's end.
Works in Progress is currently
presented once a month on Tuesdays at 8:30 PM (schedule subject to change). Admission is a
suggested donation of $10.
The Works in Progress series is booked
through the end of June, 2006, and is currently no longer accepting applications. Please check
back in with us this Spring for more detailed information on the program and to request a
revised application.
This program is made possible with
public funds from the New York City Department of Cultural Affairs.
Tuesday February 21 8:30pm
Tickets: $10 suggested donation at door
featuring
Jessica Jennings/Elojes Dance Theater, Kelly Jonelle Martin, Jennifer Neff
See below for other Works in Progress performances
DNA Presents
SEAN CURRAN COMPANY
A Short List of Miniature Stories
Aria/Apology
Companion Dances
From his beginnings as a step dancer in deepest Irish Boston, Sean Curran "has emerged as
a sublime choreographer, creating complexly musical phrases for a company that
literally rises to meet his expectations" (The Village Voice).
A Short List of Miniature Stories
celebrates DNA's opening through a chaptered meditation on time and character,
color and texture performed by dancer/choreographers Gregory Brackett and Heather Waldon.
Formality and classicism become metaphors for regret, longing and sorrow in Aria/Apology,
commingling Handel's lush, ornamental music with anonymous confessions recorded to Alan Bridge's "Apology Line."
Companion Dances, a collaborative duet with Waldon, elucidates the benefits, even joys, of
swapping the lead in an artistic friendship.
Thursday, February 23 8pm
Friday, February 24 8pm
Saturday, February 25 8pm
Sunday, February 26 2pm
Tickets: $25 ($17 members)
go to ticketcentral.com
Ongoing Series
Works in Progress
click here for WIP description
Tuesday March 7 8:30pm
Tickets: $10 suggested donation at door
featuring
Gladys Cepeda, HoffTanzt, Nicole Holst, Yuji Ishikawa, Arisa Kusumi, Shelley Poovey, Suzanne Temple
Ongoing Series
Gene Pool
Dance New Amsterdam presents
their ongoing series, GENE POOL, March 10-12 at their new home at 280 Broadway. To trace the
diversity within DNA, sit GENE POOL -side to sample the work of choreographers who contribute
in countless vital ways to the organization's success. Everybody in!
Friday, March 10 8pm
featuring
Isabel Gotzkowsky, Untitled and Fly... but don't
Kenny Larson
Earl Mosley, Excerpts of Earl
Steeledance (Teri and Oliver Steele)
Saturday, March 11 2pm
featuring
Ezra Caldwell, dance film Brown's Barn
Kenny Larson
Diane McCarthy, Receiving Grace, performed with a 20 member cast
Steeledance (Teri and Oliver Steele)
Saturday, March 11 8pm
featuring
Ezra Caldwell, dance film Brown's Barn
Laurie DeVito, A Conversation with Conscience and Equestrian Tales
Isabel Gotzkowsky, Untitled and Fly... but don't
Diane McCarthy, Receiving Grace, performed with a 20 member cast
Sunday, March 12 2pm
featuring
Laurie DeVito, A Conversation with Conscience and Equestrian Tales
Isabel Gotzkowsky, Untitled and Fly... but don't
Diane McCarthy, Receiving Grace, performed with a 20 member cast
Earl Mosley, Excerpts of Earl
Tickets: $17 ($12 members)
go to ticketcentral.com
Ongoing Series
RAW Material
In 55 Friends, Megan Metcalf
combines video and live performance to juxtapose movements of people on the street with those
of professional dancers; Jaclyn Moynahan / Jaxdance mingles dance and puppetry in Strings Attached;
based on her émigré experience, Sunhwa Chung / Ko-Ryo DanceTheater details an immigrant's struggle
with cultural traditions in a new world in Il-hwa II: Missing Episode; Mary Ann Wall/Red Wall Dance
Theatre examines womenÕs sexual stereotypes in the 1970s in high comic relief in Bookends; Philippa
Kaye Company works with musician Langdon C. Crawford playing an oscillating theremin via computer
to illuminate the act/art of listening in Constant Hum of the Chambered Nautilus; and Jesse Phillips-Fein
takes an uncompromising view of the destructive trinity of race, fear and (mis)perception in Color Blind Theory.
The RAW MATERIAL series is a juried program that searches
for new stars in the galaxy of New York choreographers. Previously identified: Alexandra Beller, Colleen Thomas,
nugent+matteson, Clare Byrne, Larry Keigwin.
See below for RAW in June
Friday, March 17 8pm
Saturday, March 18 8pm
Sunday, March 19 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
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This program is supported, in part, by public
funds from the New York City Department
of Cultural Affairs |
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Raw Material is made possible with public funds from the
New York State Council on the Arts, a state agency |
DNA Presents
Moving Theater
Without
"Make yourself a visionary. A poet makes
himself a visionary through a long, boundless and systematic disorganization of all the senses." Arthur Rimbaud
In 19th-century France, two young poets abandoned
ordinary life and set out on a journey to make themselves visionaries. Along the way, Arthur Rimbaud and Paul
Verlaine reinvented poetry and love - and came dangerously close to annihilating each other. Moving Theater's Without -
performed by an ensemble of dancers, actors and musicians, and set to music by Claude Debussy, Pierre Boulez and Patti
Smith - channels a vision for freedom out of this story of destructive collaboration and creative loss.
Without is created and performed by Jonathan Drillet,
Emilio Martinez Lopez, Ashley Searles, Nate Schenkkan, Elyse Sparkes and Peter Tantsits (tenor) with Eric Huebner on piano.
Stage design by Josef Asteinza, costume design by Camille Assaf, lighting design by Marcus Doshi, and dramaturgy by Kate Bredeson.
Thursday, March 23 8pm
Friday, March 24 8pm
Saturday, March 25 8pm
Tickets: $17 ($12 members)
go to ticketcentral.com
Ongoing Series
Works in Progress
click here for WIP description
Tuesday April 4 8:30pm
Tickets: $10 suggested donation at door
featuring
Susanna Limell, Amy Grear, Michelle Gilligan, Tamara Saari, Lucy Struerer, Jillian Denis, Rie Fukuzawa
DNA Presents
Urban Bush Women
April 5, 7, 9
Walking with Pearl...Africa Diaries (2004)
Walking with Pearl...Southern Diaries (New York Premiere)
April 6, 8
Sometimes Landscapes Whisper (New York Premiere)
Convoys, Curfews and Roadblocks (2004)
Batty Moves (1995)
Walking with Pearl...Southern Diaries
The life of African American dance pioneer
Pearl Primus serves as the inspiration for Urban Bush Women founder Jawole Willa Jo Zollar's polyrhythmic
travelogues through Africa and the American South in the two parts of Walking with Pearl. Sometimes
Landscapes Whisper, a new duet, blends the usual UBW fierceness with the lyrical music of Messiaen.
Convoys, Curfews and Roadblocks, an explosive solo by UBW company member and guest choreographer Nora
Chipaumire, comments on the political situation in her homeland, Zimbabwe. Zollar's raucous favorite,
Batty Moves, is an homage to the female form.
Wednesday, April 5 8pm
Thursday, April 6 8pm
Friday, April 7 8pm
Saturday, April 8 8pm
Sunday, April 9 2pm
Tickets: $25 ($17 members)
go to ticketcentral.com
DNA Presents
Alethea Adsitt & Co.
the new jalopy (World Premiere)
"...An assertive mix of dance and storytelling, using movement to
explore the mind as much as the body." The Stranger (Seattle, WA)
the new jalopy is a
full-length, migrating dance/theater/media project exploring malfunction, postponement and
wholeness. the new jalopy (formerly Jalopy, originally created for the Richard Hugo House,
a cabaret, theater and literary arts center in Seattle, WA, in 2002) begs the question,
'How are you functioning?' A jalopy (n. a rickety or battered old car) is the metaphor in
this old/new work that exposes the postponement of repair for one's self and one's possessions.
Why do we continuously delay needed repairs? How do people and things in disrepair survive?
Attuned to architectural circumstance, a theatrical half-car navigates the emotional
landscape, audience in tow that mutates with every restaging. the new jalopy is explored
by a cast of oddly acquainted passengers on a labyrinthine journey, confronted with the
dilemma of "wholeness."
Attendees are invited to bring a single small, precious, broken item - grandfather's watch,
an article of clothing, a trusting heart - to the attention of the company's Fix-It Expert,
20 minutes before showtime. This is a site-specific piece. Seating is limited to 50 per show.
Take this opportunity to climb on board!
the new jalopy is choreographed and directed by Alethea Adsitt, co-created with Robin Kurtz,
co-directed by Gwenyth Reitz. Audio Arrangement and editing by Jeff Lorenz. Lighting design by Mandy Ringger,
video by Ross Aseron. Developed and performed by Richard Ayres, Courtney Drasner, Jonathan Greene, Robin Kurtz*,
Natasha Yannacañedo*, Lindsay Brandon Hunter* and Alethea Adsitt. *Equity Approved Showcase
Thursday, April 13 8pm
Thursday, April 13 10pm
Friday, April 14 8pm
Friday, April 14 10pm
Saturday, April 15 8pm
Saturday, April 15 10pm
Tickets: $17 ($12 members)
go to ticketcentral.com
DNA Presents
OB·ject.ob·JECT
Adelantre, Leigh Garrett, Amy Pivar
In OB·ject.ob·JECT,
the genesis of our broad celebration, four very different female performers create new works
with a decidedly collaborative edge.
Adelantre ("Forward") is a New York
ensemble performing traditional Sephardic and Ladino music defined by complex polyphonic harmonies
and off-kilter rhythms. The company's textured approach to Judeo- Spanish music is an amalgam
of belly dance, storytelling, and an ear-opening variety of ethnic and homemade percussion instruments.
Staceyann Chin is a much-awarded poet
and activist seen in print, onstage, and on film and television screens around the world.
Although not a dancer, she is an extraordinarily physical, brash and vivid storyteller. In this
newly commissioned work, Chin slams the persistence of gender inequity in the arts.
The characters in Leigh Garrett's work
reflect her strong sense of rhythm, radar for internal rhyme and impeccable comedic timing.
In this solo performance, she uses the exaggerated gestures and facial movements of silent
film to explore the melancholy of independence.
Amy Pivar was an original member of
the Bill T. Jones/Arnie Zane Dance Company, for which she won a Bessie Award in 1986. Her Songs
for Solo Dance and Voice, conceived and performed by Elaine Valby, was inspired by Valby's One
Hundred Songs, a trove of "necessary" music - folk songs, hymns, ballads and art songs - uncovered
through a lifetime of singing. Accompanied on guitar by Paula M. Kimper and directed by Freda
Rosen, this work celebrates Pivar's return to the stage after a four-year absence from performance.
Friday, April 21 8pm
Saturday, April 22 8pm
Sunday, April 23 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
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OB·ject.ob·JECT has been made possible, in part,
by the Lower Manhattan Cultural Council with the
generous support of the September 11th Fund. |
DNA Presents
Monica Bill Barnes
Thank You and Good Night (NY Premiere)
Thank You and Good Night is a new work based on the development of two
interweaving duets danced by four uniquely distinctive dancers, Monica Bill Barnes,
Beth Bradford, Deborah Lohse and Anna Smith. Addressing the idea of sharing the
stage with someone else, this work explores the many meanings of upstaging, being
seen and making a scene. The dancers are both aware of the audience and in turn
become forgetful of their presence, allowing for private, subtle moments. Being
inspired by the physical space of an empty carnival, the sound
score was created by composer Karinne Keithley. Continuing a long-time collaboration
with set/costume designer Kelly Hanson and lighting designer Jane Cox, Barnes will
create this outrageous and whimsical new work with humanity, virtuosity and pervasive wit.
Thank You and Good Night is choreographed by Monica Bill Barnes, with performers
Monica Bill Barnes, Beth Bradford, Ursula Caspary Frankel, Jack Frankel, Deborah Lohse,
and Anna Smith. Costume and set design by Kelly Hanson, lighting design by Jane Cox,
original sound by Karinne Keithley.
Thursday, April 27 8pm
Friday, April 28 8pm
Saturday, April 29 8pm
Sunday, April 30 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
Ongoing Series
Works in Progress
click here for WIP description
Tuesday May 2 8:30pm
Tickets: $10 suggested donation at door
featuring
Celine Alwyn, Dina Denis, Michelle Durante, The FeleciaMariaProject, Candice M. Franklin,
Ian McGowan, Carla Menchinella
DNA Presents
In The Company of Men
In The Company of Men
is a concert of newly commissioned dance works choreographed by men and set on male dancers.
The aim of the concert is first and foremost to celebrate male dance energy on stage - the sheer
athleticism and physicality of male dancers performing together. The concert also seeks to explore
issues relevant to men in our culture, and specifically to male dancers (i.e. what it means to be
a man in a field more usually associated with women). This includes themes such as male intimacy
(both homosexual and heterosexual), aggression, and male role models, among others. Additionally,
the aim of the concert is to inspire young men to see dance as a viable profession for men and to
thus encourage more young men to become dancers. While the artistic direction is not limited to
the exploration of themes specific to men or to male dancers, the artists are invited to consider
their role as men in our culture and more specifically as men in dance.
This year's program includes: Julian Barnett,
Marshall Davis, Ron De Jesus, Richard Rivera / PHYSUAL, Gus Solomons Jr., and Michael Whaites and Jon Kinzel.
Julian Barnett performs a solo piece, tuesday mum,
that challenges the conventional interpretation of the word "mother" and investigates a new language in which movement
and video create a world of simplicity, virtuosity and self-reflection. A trio presents a work by Marshall Davis,
exploring the art form of Hoofing / Tap Dancing in its truest essence. Through the use of familiar songs that the
general public would never imagine a tap dancer choosing, these selections display a genuine artistry. Michael Whaites
and Jon Kinzel present a duet titled Switch, which was created during a collaborative process via phone, internet
and mail over the past few months, and only recently face-to-face. An intergenerational duet by Gus Solomons Jr.,
featuring a young dancer and an older one, will explore the equivalence of the technical virtuosity of youth and
the expressive nuance of age and experience. A quartet by Richard Rivera / PHYSUAL will demonstrate the effect
that temperature has on molecules of the three states of matter: solid, liquid and gas.
Julian Barnett and Michael Whaites will also be teaching at
Dance New Amsterdam as part of the Modern Guest Artist Series.
Friday, May 12 8pm
Saturday, May 13 2pm
Saturday, May 13 8pm
Sunday, May 14 2pm
Tickets: $25 ($17 members)
go to ticketcentral.com
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This program is supported, in part, by public
funds from the New York City Department
of Cultural Affairs |
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ICOM is made possible with public funds from the
New York State Council on the Arts, a state agency |
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ICOM has been made possible, in part, by the
Lower Manhattan Cultural Council with the
generous support of the September 11th Fund. |
Student Performance Workshop
With
Isabel Gotzkowsky, Intermediate Modern
Heather McArdle, Advanced Modern
Diane McCarthy, Intermediate Simonson
Te Perez, Beginner/Slow Intermediate Simonson
Teri & Oliver Steele, Intermediate/Advanced Modern
Saturday, May 20 2 & 8pm
Sunday, May 21 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
DNA Presents
Adaptations: Variations on Deborah Hay
Organized by Layard Thompson, a
seasoned participant in Deborah Hay's Solo Performance Commissioning Project (SPCP), and bringing
together veterans as well as stellar newcomers to Hay's challenging performance process, Adaptations
presents three very different evenings of Hay's pliant choreography.
A pioneer of the Judson Dance Theater,
choreographer Deborah Hay has been mapping the frontiers of postmodern dance for over 40 years. Her
Solo Performance Commissioning Project requires daily practice of meditative exercises that become
unique to the performer's body, time and place in the world between moments. After learning the
commissioned work solo performers enter a mandatory three month process of daily practice to individually
adapt Hay's dance. This process allows for a unique hybridization both revealing the essence of Hay's
work and the adapting artist's unique interpretations. Consider if you will,
"What if every cell in my body has the potential to perceive Magic in ordinary reality?" -Boom Boom Boom (2000)
"What if every cell in my body has the potential to perceive the uniqueness and originality of
space and time?" -The Ridge (2004)
"What if every cell in my body has the potential to surrender the habit of facing any single direction?" -Room (2005)
Adaptations: Variations on Deborah Hay is a
concert organized by Layard Thompson to present a survey of Hay's work from multiple perspectives. With
five different works, by five different artists, and post-performance discussion with two long-time observers
of Hay's work, Adaptations offers New York City a unique opportunity to view and discuss Hay's radical
inventions in the choreography of consciousness.
Thursday, May 25 8pm
Room (2005) adaptation by Lise Serrell
Room (2005) adaptation by Layard Thompson
Exit (1995) adaptation by Scott Heron
Post-performance Moderation: Carla Peterson,
Executive Director of Movement Research
Friday, May 26 8pm
Boom, Boom, Boom: A 21st Century Earth Dance (2000) adaptation by Hana van der Kolk
The Ridge (2004) adaptation by Maryanne Chaney
Room (2005) adaptation by Layard Thompson
Post-Performance Moderation: Laurie Uprichard,
Executive Director of Danspace Project
Saturday, May 27 8pm*
Room (2005) adaptation by Layard Thompson
Viola (1996) adaptation by Scotty Heron
The Ridge (2004) adaptation by Layard Thompson
Tickets: $17 ($12 members)
*Party to benefit Thompson's participation in Hay's 2006 SPCP: tickets $25
go to ticketcentral.com
DNA Artists in Residence (AIR)
Neta Pulvermacher/The Neta Dance Company
Sara Baird/Anemone Dance Theater
Deganit Shemy
DNA's highly competitive AIR program
lavishes artists with class and studio time for study and conception, rehearsal space, and administrative
and technical support, and culminates in a formal performance.
Neta Pulvermacher, artistic director of
the Neta Dance Company, traffics in "shards of emotion and physicality fused in flight" (NEW YORK PLANET).
Recipient of a special award for choreography from Bessie Schönberg, she is particularly noted for
her collaborations with outlaw musicians like John Zorn, Miri Ben-Ari, Roy Nathanson and XTC.
Sara Baird/Anemone Dance Theater aligns with
the Japanese Butoh aesthetic, a theatrical poetry of opposites, absurdities and unanticipated beauty in
stage environments woven out of costuming, visual projections, sculpture and soundscape.
Deganit Shemy uses sharp, small, meticulous
(even awkward) movements to explore the push-pull of alienation and connection. The young Israeli-born
choreographer's fragmented body language digs deep to provoke strong emotional responses.
Thursday, June 1 8pm
Friday, June 2 8pm
Saturday, June 3 8pm
Sunday, June 4 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
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This project is supported in part by an award
from the National Endowment for the Arts
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This program is supported, in part, by public
funds from the New York City Department
of Cultural Affairs |
Ongoing Series
Works in Progress
click here for WIP description
Tuesday June 6 8:30pm
Tickets: $10 suggested donation at door
featuring
Emma Cotter, Crystal Bella, Felicia Maria, Mika Lior, Mami & Maki, David Wes Sadowsky, Molly Holm/Open Floor Dance
Ongoing Series
RAW Material
featuring
Leonides Arpon
Yoko Sugimoto & Yuka Kikuchi
fivefour / Cortney McGuire & Leah Nelson
Juliana F. May / MayDance
Marisa Gruneberg / white road Dance Media
Joya T. Powell / The Ayoj Llewop Body Politic
The Raw Material series is a
juried program that searches for new stars in the galaxy of New York choreographers. Previously
identified: Alexandra Beller, Colleen Thomas, nugent+matteson, Clare Byrne, Larry Keigwin.
Friday, June 9 8pm
Saturday, June 10 8pm
Sunday, June 11 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
|
|
This program is supported, in part, by public
funds from the New York City Department
of Cultural Affairs |
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Raw Material is made possible with public funds from the
New York State Council on the Arts, a state agency |
DNA Presents
Dixie Fun Dance Theatre
The Money Show
Motivated by Barbara Ehrenreich's
chronicle of working poverty, Nickel and Dimed, and a sold-out run at Joyce SoHo that left Dixie
FunLee Shulman $1,500 in debt, The Money Show illuminates the cost of producing a work of modern dance.
Members of the audience will each receive a printout of the show's budget and three tokens to spend
on anything from food and beverage service to foot massages, "lap dances," even a featured role!
There'll be deal-making and gambling galore, and a brief snowstorm of paper "dollars." The lights
might go out at any time if money runs low. Watch, spend and learn.
The ebullient Dixie FunLee Shulman
launched her company a decade ago in Seattle. Her signature solo, Twirl, lifts the veil on beauty pageantry;
her 2003 dance theater work, The Thinnest Woman Wins, was a comic/activist tour de force.
Thursday, June 15 8pm
Friday, June 16 8pm
Saturday, June 17 8pm
Sunday, June 18 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
DNA Presents
Of Moving Colors
Vertical Voyage
In Vertical Voyage, the Baton Rouge, Louisiana
based company OF MOVING COLORS PRODUCTIONS (OMC) embraces the work of select choreographers: the Slovak-born Pavel
Zustiak (director of Palissimo), Ashleigh Leite (member of Palissimo and former assistant director of Stephen Petronio
Company), Garland Goodwin Wilson (OMC's artistic director) and Nick Erickson (a founding member of the LA-based
Diavolo Dance Theatre), among others.
Wilson's Crossings in Red is a multilayered
evocation of human spirits in transit; Zustiak's All That I Can't Leave Behind employs a sound collage
including spoken word and music of Arvo Pärt to explore the interdependence of freedom and surrender.
Erickson's Boy Meets Girl makes a deliberate, simple examination of commonplace notions about
love. Leite's martial arts all-girl satire, New Work for Lilac, Magenta (part of a larger work commissioned
by OMC), is set to music by the Beatles and the Balanescu Quartet.
In addition to being a dance-theatre company,
Of Moving Colors has provided dancers with rehearsal space, housing and performance opportunities whenever possible.
Thursday, June 22 8pm
Friday, June 23 8pm
Saturday, June 24 8pm
Tickets: $17 ($12 members)
go to ticketcentral.com
DNA Presents
nicholasleichterdance
Sweetwash Special (2006)
Animal (1997)
Discretion (Primo Vere) (2004)
Undertow (2000)
Dance New Amsterdam presents four pieces by
nicholasleichterdance commissioned over ten years by DNA, in celebration of the beginning of the 10th Anniversary
season of nicholasleichterdance.
Sweetwash Special (2006), featuring original music by
Eisa Davis, emphasizes themes of patience, commitment, and celebration. Performers appear in pockets of light throughout
the space, their interactions evoking the endless possibilities of intimacy in New York's pedestrian culture. The
choreography and music are both structured and spontaneous, allowing intentions to be challenged by circumstance,
and surprising unions of feeling to occur between the performers and with the audience. The seductive movement
vocabulary and dramatic fusion of styles collides with and rides Eisa's alto vocals and piano-driven acoustic band,
a sound she calls minimalist soul. Davis and her musicians and special guest Jamie Bishton will perform with the
company on June 29. Nicholas Leichter performs Animal (1997) a solo piece that reflects the fast and erratic emotional
pace of urban life which had Dance Magazine citing "Leichter alone is like a gun ready to go off." Discretion
(Primo Vere) (2004), originally choreographed as a duet, offers a glimpse of Leichter's contemporary interpretation
of Carl Orff's "Carmina Burana" for the company of eight dancers. And in Undertow (2000), Leichter, Daniel Clifton,
Aaron Draper, and Jared Kaplan alternate between selfishness and the team. Dance Insider called it "A roguish
portrayal of boyishness."
Thursday, June 29 8pm*
Friday, June 30 8pm
Saturday, July 1 8pm
Tickets: $20 ($15 members)
*Tickets for the June 29 performance with guest
artists Eisa Davis and Jamie Bishton are $50
go to ticketcentral.com
New York Summer Dance Intensive
Choreographers
Ori Flomin
Te Perez
BJ Sullivan
Saturday, July 22 8pm
Sunday, July 23 2pm
Tickets: $17 ($12 members)
go to ticketcentral.com
Ongoing Series
Works in Progress
click here for WIP description
Tuesday August 1 8:30pm
Tickets: $10 suggested donation at door
featuring
Symmetry of Grace
Andrea Walden-Morden
Jen Harmon
Betsy Miller
Mikiko Sudo
Ongoing Series
Works in Progress
click here for WIP description
Tuesday September 5 8:30pm
Tickets: $10 suggested donation at door
featuring
Ana Marambio
Mai Urano
Felicia Maria
Alaine Handa
Irene Ruiz
DNA's Opening Festival is sponsored by the following:
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Funding for the Opening Festival provided
by the Mertz Gilmore Foundation |
Funding for the Opening Festival provided
by The Seth Sprague Foundation
DNA Presents is sponsored by the following:
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This program is supported, in part, by public funds from
the New York City Department of Cultural Affairs |
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2006 Season Quick Links
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February
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April
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May
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June
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July
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August
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September
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Photo Credits
WIP, Gene Pool, RAW Material, OB·ject.ob·JECT,
Dixie Fun Dance Theatre
Steven Schreiber
Sean Curran Company
Harry Pocius
Moving Theater
Harold Levine
Urban Bush Women
antoine tempé
Alethia Adsitt & Co.
Carolyn Lee
Monica Bill Barnes
Jacques-Jean M. Tiziou
ICOM
Alexander Trage
Adaptations
Pino Fortunato
Of Moving Colors
William Wilson
AIR
Samantha Moranville
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